The Brooklyn-born singer says working on the collaboration with legendary producer Timbaland was born of, well, the space and time that the pandemic gave to her, and allowed her to tap into a more. In other words, the constellation of sounds on TL&DIS&T approach floating in "the void" as something less than ominous, perhaps even enchanting. I like to call this project ‘the bad bitch manual,’ Justine Skye tells Apple Music of her third album, Space and Time. The sounds of TL&DIS&T are elegant, transportive and vast, like being wrapped in a blanket of stars, finding warmth and comfort in the unknown spaces of transition that don't immediately reveal meaning or purpose. Theres also several small lectures that set up some of the song introductions padding out the record(s), but on the whole a well packaged live album also. Eventually, something like an album revealed itself, which Lynn and Cole honed into “To Live & Die in Space & Time.” Post più recente Post più vecchio Home page. Invia tramite email Postalo sul blog Condividi su Twitter Condividi su Facebook Condividi su Pinterest. Lynn and Cole were not initially intending to create an "album" - instead, they were just committed to a regular practice of improvising, recording, forgetting, reapproaching, alchemizing old & new ideas, and allowing material to shapeshift. Ten Years After - A Space in Time ( Full Album ) Pubblicato da checcuswriter a 15:43. Lynn and Cole continued exploring this palette of sounds and ideas in the months that followed, a practice that continued as they relocated across the country and settled in their now home of Oakland, California. If you record a whole album of music no one wants to hear, youve just. “To Live & Die In Space & Time” began with an improvised set at the 2020 Drone Not Drones festival in Minneapolis that unveiled new worlds of sonic possibilities the duo wanted to reapproach. Free eBook: Discover how real independent musicians like you are making 4,077. Following their excellent previous albums (Iceblink’s "Carpet Cocoon" and Cole Pulice’s "Gloam") the duo moves into otherworldly ambience that straddles acoustic and digital spaces, evoking an uncanny world both strange and familiar. Lynn Avery and Cole Pulice return with a new album of piano, synthesizers, tenor sax, wind synths and electronics.
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